SPEED RACER

I know what you’re all thinking…

This will be… stupid.

And depending on your particular tastes in film you could be right…

But I must say I thought Speed Racer a masterpiece of digital film making. 

 

THE SET UP? Speed Racer, yes that’s his actual name, has been obsessed with car racing and nothing else since childhood. Race car driving for his family is like a religion. But when Speed’s older brother (Rex Racer), the greatest driver, like, ever, dies in a dangerous race the family grows cynical and steps back a bit from their zealous ways. But not entirely, as a few years later Speed emerges as the hottest new driver on the circuit. 

After corporate flirting Speed discovers what the industry is really about and decides the powers who control and fix the races need to be brought to justice. He goes with the help of his family, girlfriend (oooh!) and the mysterious Racer X. 


THE CAST? 

Emile Hirsch – this guy is good. He is excellent as Speed Racer. Similarly to Robert Downey Jr. inIronman (and yes I did just compare an actor you’ve probably never heard of to the great Downey Jr.). Hirsch brings credibility and authenticity to a character in an especially artificial (READ: “blue screen”) world.

Christina Ricci – where did she come from, again? Ricci plays the loyal and supportive, one-of-the-family girl beside Speed’s side. Her performance is quality. She has an adorable chemistry with Hirsch (note: but entirely ok for the younger kids). 

Susan Sarandon – Mom Racer. Sarandon is splendid in whatever she does. She can more or less do no wrong. Her beautiful character in Speed Racer is no exception. Though this is a “kids” movie, she almost made me cry in one scene.

John Goodman – Pops Racer. Nice to see the big guy back on the big screen. He’s great and entirely appropriate as Speed’s dad. He adds pathos to his character, especially when it comes to his relationship with his two racing sons and the speedy spor without it seeming out of place for this genre. (-which I’m still trying to define).

Kick Gurry – gets no billing but I’d like to give the Aussie come kudos here. He sits within the boxy character of Sparky, the Racer’s mechanic well. Sparky’s character swings between goof and pensive reflector and Gurry keeps up with ease. Looking forward to seeing more from this guy!

Matthew Fox – Racer X. Do-do-Do-do-Do-do (meant to sound mysterious…). Hmm… Fox isn’t great. He sits below his fellow actors in Speed Racer, he almost feels like a miscast.

 

WHY SHOULD YOU SEE THIS FILM? 

I could spend a while writing this, coz there are a lot of reasons to make it to the cinema for this one. But I think you should know why, or else you could be disappointed. So I’ll keep it to dot points, shall I? Okay…

– The racing sequences. They really call for the big screen. The effects are great, and if you’re at all keen on looking at different camera angles you’ll love it!

– The acting.

– The wacky editing. Its a bit different, but just enjoy its DIFFERENCE, rather than wishing it was … normal. 

– The narrative of seeing something wrong in the world (an injustice) and using your gifts to fight that wrong. Its a great metaphor. I found it encouraging on that level.

– So you can join my special club of people who get teased for seeing, and liking, Speed Racer. Current membership is 1.

 

WHO SHOULD YOU SEE IT WITH? 

As long as you don’t drag grandma and pa, anyone. Probably especially kids or people who enjoy slightly alternative cinema. The kids will love the colours, the wacky costumes and settings, and the fast cars, even the youngens will get something out of it!

 

ANY BITS? 

No. Unless fast driving freaks you out. Even the kiss is, well, I won’t spoil the surprise. (He he, I like being annoying.) 

 

THIS FILM GETS 4 GOLD STARS – As I said, watch it and enjoy its difference, its what it is, and it does what it does well. If you don’t try and wish this film was something else, you’d give it 4 Gold Stars too. 

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recapping on all the movies I saw and forgot* to review

*Forgot more refers to a lack of time for such activities as writing on goldstars, or a lack of motivation, or a …. wanting to do other things (I’ve kind of hit that wall I usually hit after doing something for a while – the new and exciting thing [goldstars] is losing its shininess and I’m getting a bit bored with it). 

ANYWAY – Here for you are some goldstar mini reviews, I’ll give you the title and one or two noteworthy points, and the gold star rating:

RUN FATBOY RUN (Comedy)Plots along like a typical mid-90’s romantic comedy with the charming and very british humour of Simon Pegg and Dylan Moran. 

THIS FILM GETS 3.25 GOLD STARS.

 Feel free to ask for more… on this or any of the following “mini reviews”

 

 LEONARD COHEN: I’M YOUR MAN  (doco)

A well crafted documentary on one of the greatest song writers of the 20th century.  Though the vision switching in the concert scenes was very amateurish.

THIS FILM GETS 3 GOLD STARS.

 

DEFINITELY, MAYBE (rom-com) 

Adam Brooks tries to do a new take on a well-worn story we all know by heart – he kinda succeeds – at a pinch. A great movie to see to learn how NOT to focus pull (in one scene the focus is pulled correctly to the CHEST area of the female actor framed in a mid shot while her face is left somewhat fuzzy – Marita and I couldn’t stop laughing).

THIS FILM GETS 2.5 GOLD STARS. 

 

DEATH DEFYING ACTS (romance/drama)

I was fortunate enough to see this film with an introduction by its Australian director, Gillian Armstrong.  And I hope I am not tainted by that when I suggest that this film was well acted – Pearce is exceptional – and the narrative is warmly engaging and is nicely reminiscent of Armstrong’s other work.

THIS FILM GETS 3.75 GOLD STARS

 

Science des reves, La (or less fancily) SCIENCE OF SLEEP  (niche comedy)

My favourite director pulls another one out of his hat (of weirdness). Needs a few viewings, but if you’re a fan of Gondry’s other work, especially Eternal Sunshine (…) you’ll fall in love with this vision of obscurity and absurdity in the vein of a classic dream-like trance, as realised as only Gondry could.   

THIS FILM GETS 4.25 GOLD STARS

 

THE BUCKET LIST (comedy)

Hmm… Nicholson shows he’s still got the stuff. But using Freeman as narrator, surely this format is getting a bit weary. Oddly a feel good film despite (spoiler alert!) the death of both characters by the time the credits roll. Though I haven’t done any research to substantiate this claim I would assume that this film will be praised by Christian groups for its moral/family message. 

THIS FILMS GETS 2.25 GOLD STARS

 

VANTAGE POINT (comedy/action)

 I feel director, Pete Travis would be horrified at my classification of his first feature film as comedy but laughter was the predominant reaction in the audience I saw this film with. Certainly a very different cinema experience – and therefore I am reluctant to bag it out – Vantage Point should help you appreciate coverage and the choices of directors, editors and DOPs (director of photography/cinematographer) more. 

THIS FILM GETS 2.75 GOLD STARS.

 

THE OTHER BOLEYN GIRL (period drama)A departure from history for the historically illiterate. Too harsh? Fine acting and a compelling script are this film’s strong points. Bana was slightly disappointing and the framing choices of director Justin Chadwick left me wondering (however they were imaginative). 

THIS FILM GETS 3.75 GOLD STARS. 

 

BE KIND REWIND (comedy)

Gondry’s latest offering was anticipated by yours truly for a good 8 or so months so its final revelation (on my birthday I might add!) was a bit disappointing, however it was rather brilliant. You always expect more from the best. Possibly too much Jack Black but the creativity of Gondry continues to blow me away.  

THIS FILM GETS 4.25 GOLD STARS

 

HORTON HEARS A WHO!(children’s/comedy) 

A highly enjoyable cartoon with great voice talents. The comedy is drawn out of the original story by the Dr. creatively and smartly. The coupling of Carrey and Carell was swell casting. The homage to Japanese anime was a treat!

THIS FILM GETS 3.5 GOLD STARS.  

 

SEMI-PRO (comedy – Ferrell comedy) The highly anticipated (and publicised) next comedy from Will Ferrell & co was a disappointment, with the trailer showing its better parts. Not that I’m a swearing-nazi but there was a dramatic increase in the number of “curse words” used in this Ferrell film, and it therefore seemed to lack the creative writing and “wordsmithery” (if you will) of the likes of Anchorman or Talledega Nights 

THIS FILM GETS 2.75 GOLD STARS. 

 

Phew!!! Now I think I’m all up to date. From now on I’ll try and post a more substantial review (without going overboard). If you want additional info on any of the films listed PLEASE ask me.