LARS AND THE REAL GIRL

Once again this was as film that I had been looking forward to after seeing the trailer on apple months ago. The idea of this young, spunky, blockbuster gold-written-all-over-him male actor continuing to take on various art house roles makes me very happy!!!

 

THE SET UP?  Lars is a shy and reclusive young man who lives in the garage at his brother (Gus) and sister-in-law (Caron)’s  house in a small town somewhere in middle america. He pulls away from social interaction where it can be avoided. But a few months later all this changes when Lars brings over a lady-friend (Bianca) he met online to his brother’s house for dinner – oh yes she doesn’t speak much English (only Spanish), she is relatively wheelchair bound and all her luggage got stolen at the airport so she’ll need to borrow some of Caron’s clothes. Gus and Caron are very supportive and excited until it is revealed that Bianca is a lifesize doll – a sex doll. 

But sex is the furtherest thing from Lars’ mind – he even insists she stays in the spare room at Gus and Caron’s – Lars just wants a friend. What follows is a delightful exploration of how Lars’ family and community come to terms with his “delusion” and how to (as Gus puts it) “fix him”. 

THE CAST?

Ryan Gosling – embodies Lars. Gosling is SUCH a talented young actor. He is beautiful as Lars, fleshing out all the complexities and eccentricities we discover about Lars as his story unfolds. I’d even go as far to say oscar worthy (or at least nomination-worthy) but the best Gosling got was a Golden Globe nom. 

(I want to put Bianca next, but she’s not given a credit)

Emily Mortimer – Caron. Mortimer continues on her acting journey of “sweet” in this role. I do like her, and its nice to see a different kind of beauty on the screen in this capacity. But I’m yet to see her change her character. 

Paul Schneider – Gus. I’ve had a little crush on this actor ever since the little indie film All the Real Girls (check it out!) so its great to see him continuing to pop up in more films approaching the mainstream. His performance is rather perfect as the concerned brother but also as the male who just wants to “fix” the situation and not spend time exploring why Lars has done this (I hope no males take offense at this comment!).

The ever-lovely Patricia Clarkson is Dr. Dagmar, the family’s GP. Ahhh…. she’s just great.

I will also mention Kelli Garner   who plays one of Lars’ work colleagues, Margo. Its evident from the start she’s got a bit of a thing for Lars so its interesting to see how things evolve when Bianca shows up in town.

 

WHY SHOULD YOU SEE IT? For a vastly different film experience and one that will make you feel good and marvel at brilliant acting and loving community. The script by Nancy Oliver is a treat, with its twists and turns unexpected and beautifully realised by Aussie ex-pat Craig Gillespie

 

ANY BITS YOU SHOULD KNOW ABOUT? I must PLEAD with you not to let the fact that this story is primary about a young man’s obsession with a sex doll stop you from seeing this film! (I didn’t help myself just there.) This film always stays above the myriad of connotations that would normally be associated with such a subject – the film’s only rated PG here for goodness sake! 

THIS FILM GETS 4 GOLD STARS.

 

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Sorry it took so long

logoI hope you all out there will indulge this very Australian-centric post.Today, after decades of waiting Australia’s indigenous population will finally hear an official apology from the current Australian government for previous Australian governments policies of removing aboriginal children from their families. This was government policy and happened for half a century in Australia and was the leading cause of the degradation of their culture.Unlike some commonwealth and colonised countries, Australia shuns its indigenous peoples and has up until now failed to officially acknowledge the irrevocable damage caused by its governmental policies.Today this is changing. Thank God.poster There has been very few Australian films (full stop, but especially) that have dealt with issues of aboriginality. It would seem. not only do we want them ignored in our “multicultural” society but also in our entertainment. However there is one film that comes to mind, by the skilled and experienced Australian director Phillip Noyce: Rabbit Proof Fence.If you haven’t seen this film I encourage you to see it, depending on where you live it may be hard to find it. There are also several clips of the film on youtube.Last year I wrote a paper for my Australian cinema class about how aboriginality has been shown throughout Australia’s film history. Here is an excerpt:”The media is often a reflection of the dominant attitudes and values of a society; the medium of film is no exception. Through looking at Australian films of the last century we are able learn something of the attitudes that existed towards the indigenous population. Firstly it is important to note that it is only recently, in the last twenty years, that indigenous Australians have taken positions behind the camera. poster Since the 1920’s aboriginals have been in front of camera, blatantly portrayed, almost without exception, as savages. Exploitation of indigenous Australians in film was commonplace, further accentuating the belief of the aboriginal as ‘other’. They were either seen as part of the flora and fauna, mysterious forces to overcome, or ‘sub-hominids’. Racial prejudice continued into the 1970’s, perhaps in a more sophisticated fashion than in earlier days but was manifest in the misrepresentation of history, the aboriginal culture and oversimplifying moral and social issues. Indigenous characters were crafted to add to the stereotyped ideas about the aboriginal people rather than the characters being individuals who were also aboriginal. The use of aboriginals in film was never as protagonist, the aboriginal characters were never designed to be understood by the audiences, they served the function of savage, or noble savage.”…girls with neville“Films exploring indigenous issues in Australia do not come more perfectly realised than Phillip Noyce’s Rabbit Proof Fence. Noyce left Hollywood, where he had established himself as a prominent film director, to return to Australia and direct Christine Olsen’s adaptation of Doris Pilkington Garimare’s text Following the Rabbit Proof Fence. The story concerns three young “half-caste” girls, two sisters and their cousin, Molly, Daisy and Gracie (respectively) who were removed from their mothers in 1931 and taken to Moore River Native Settlement under the order of the chief protector of Western Australia A. O. Neville (Kenneth Branagh), 1600 miles from their home in Jigalong. The eldest of the three girls, Molly (played by Everlyn Sampi) convinces her sister and cousin to escape and the three set out on the near impossible journey home. The rabbit-proof fence that stretched from the south of the continent to the north was their guide home. The two sisters made it back to their mother at Jigalong, but Gracie was recaptured and returned to Moore River. the tracker The three girls made their journey with the help of some aboriginals and Europeans along the way, pursued by the police and aboriginal tracker Moodoo played masterfully by David Gulpilil. Noyce says he was attracted to the project because it was an emotional and compelling story, but also because it was a true story and the films central protagonists are alive today. The film concludes with narration from the real Molly, in her native tongue, and footage of Molly and Daisy at Jigalong. The decision to conclude the film in this way was nothing short of inspired. Veteran American film reviewer Roger Ebert revealed that ‘not since the last shots of “Schindler’s List” have I been so overcome with the realization that real people, in recent historical times, had to undergo such inhumanity’. “